{B/qKC}: Volume_1 began as a journalism series as a two-fold response to (1) the lack of local resources and spaces for Black queer community members to relish in, and (2) local universities and institutions retaining ownership of a small portion of Black queer KC histories with no plans to digitize or widely share any of the artifacts donated to them. Since {B/qKC}’s founding in April 2022, the project has “liberated” various aspects of Kansas City’s Black queer history: including information on the first documented Black drag queens of Kansas City, an organization of gay men fighting racism in the community in the 90’s, and a gay and lesbian variety show called “Out There” that aired on public-access cable.
Volume_1 of {B/qKC} was Montalvo’s liberatory research and work into their local archives, namely the Gay and Lesbian Archives of Mid-America, and the subsequent exhibitions that followed.
Listen to the “{B/qKC}: Volume_1” playlist while you scroll. >
Research

Remembering Edye and Ray: The First (Well-Documented) Black Drag Queens of Kansas City
Edye Gregory and Ray Rondell are some of Kansas City’s first documented Black Drag Queens and, more broadly, part of the only recorded histories of Black, Queer Kansas Citians at large.

Men of All Colors Together: The Kansas City organization fighting racism amidst gay men in the 80’s–90’s
In 1980, this group of Kansas Citians founded a social club and safe space for those seeking to fight racism amongst gay men of all races.

Kansas City’s “Out There”: The 90’s Gay & Lesbian Variety Show Featuring Lea Hopkins
In 1993, a group of 16 people came together to launch Kansas City’s first-ever Gay and Lesbian Variety Show on American Cablevision in light of statewide, anti-queer legislation.
Multi-Location Exhibit
PH Coffee, Café Corazón, BLK + BRWN.
February 27–March 2, 2023
Solo Exhibition
In early 2023, after publishing all of their research from GLAMA, Montalvo morphed the project into a multi-location, self-service exhibit from February 27th – March 4th, 2023 hosted at PH Coffee, BLK + BRWN, and Café Corazón.
Each location’s exhibit was curated as an altar, centering a particular figure from Montalvo’s research.
In picking exhibit locations across the City, Montalvo wanted to embrace various aspects of their own identity and make their research as accessible as possible.
Full Exhibition
The BlaqBox
March 1–March 30, 2023
Solo Exhibition
In May 2023, after beaming responses from their research and multi-location exhibit, Montalvo brought all of their work together for a special, solo exhibition at The BlaqBox in collaboration with BlaqOut and Vivent Health––dubbing all of their work thus far “Volume_1” of {B/qKC}.
The exhibit began with a grand opening event and cocktail party on May 12th– and served as a celebration of Kansas City’s Black queer history.
Curatorial Statement
“{B/qKC} is an act of radical love. in an age where the Powerful are actively trying to suppress our access to information, it is more important than ever to document our histories––especially the Oppressed.
the word queer has purposely been chosen for this project. to loosely quote the theorist (and an inspiration and virtual friend) Da’Shaun L. Harrison: being gay is an identity. being queer is a politic. before hitting the mainstream, queer was used to describe anti-assimilation––most notably at the end of the 1980’s when groups like ACT UP positioned themselves as anti-US sexual politic. being queer meant more than simply identifying, loving or having sex beyond what was considered ‘normal.’ it meant directly standing in opposition to cis-heternormativity––willing to put oneself on the line for the dynamism of the human condition.
queerness is, thus, antithetical to white supremacy.
the people presented in this Volume were not simply in the world as ones who love and fuck freely; the people presented in this Volume were with the world as ones who were changing their fates in real-time. they were not willing to let the State––as socially-constructed and ruled by whiteness––determine their livelihood (at least in ways they could control).
so, again, {B/qKC} is not simply a historical retelling. it is an anthological database of queer people utilizing love to change our collective future.
of Black folk, by Black folk.”